The project The Invisible History of Exhibitions – Parallel Chronologies was launched to look at curatorial and artistic practices and methodologies dealing with postwar Eastern
European art exhibitions and events. The symposium and exhibitions organized in Budapest are connected to a project with the same title initiated by the What, How and for Whom? / WHW, who organized exhibitions in this theme since the Fall of 2008 all within the framework of Art Always has its consequences.

In this issue of Galerija Nova newspaper we present a selection of papers that were written for the symposium and interviews with the participants. In the introduction we also describe the exhibition Parallel Chronologies that was organized together with the symposium.