{"id":972,"date":"2022-08-23T18:53:35","date_gmt":"2022-08-23T16:53:35","guid":{"rendered":"http:\/\/www.whw.hr\/hr\/dogadjanja\/\/"},"modified":"2022-09-14T20:35:20","modified_gmt":"2022-09-14T18:35:20","slug":"manuel-pelmus-granice","status":"publish","type":"dogadjanja","link":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/manuel-pelmus-granice\/","title":{"rendered":"Manuel Pelmu\u015f: Borderlines"},"content":{"rendered":"<p>In lecture performance&nbsp;<em>Borderlines<\/em>,&nbsp;<a href=\"https:\/\/akademija.whw.hr\/professors\/manuel-pelmus\" target=\"_blank\" rel=\"noopener\">Manuel Pelmu\u015f<\/a>&nbsp;revisits past performances and personal histories and aggregates notions of visibility and invisibility in connection to history and politics of representation. These histories playfully move back and forth in time and space, updating and reflecting on the notion of boundaries, may they be boundaries between states or boundaries between artistic disciplines. The artist uses his own memories of the passing of borders, after the fall of the Berlin wall.<\/p>\n<p>\u200d<strong>Manuel Pelmu\u015f<\/strong>&nbsp;was born in Bucharest, Romania. He is a choreographer and artist who lives and works in Oslo and Bucharest. Pelmu\u015f could be seen as one of the protagonists of the \u201cnew performance turn,\u201d artists who have been reimagining the role of performance in the context of visual arts. He often deploys continuous live presence within the context of exhibitions, using enactment as a strategy and the human body as a medium and a means to explore the body\u2019s relationship to memory and the construction of history. In addition to his recent solo exhibition at Para Site, Hong Kong (2018), Pelmus\u2019s projects have been featured at institutions including the Tate Modern, London; the Museum Ludwig, Cologne; Centre National de la Danse, Paris; TanzQuartier, Vienna; Centre Pompidou, Paris; Van Abbemuseum, Eindhoven; Museum of Modern Art, Warsaw, Tanz im August, Berlin; and the Museum der Moderne, Salzburg, among others. In 2013, he represented Romania at the 55th Venice Biennale with a collaborative project with Alexandra Pirici. He also participated in the Off-Biennale, Budapest (2017), and the Kyiv Biennale (2015). In 2012, Pelmus was awarded the Berlin Art Prize for performance arts and later recognized with the prize for excellence from the National Dance Center of Bucharest in 2015.<\/p>\n<p>This program is realized as part of the two-year collaborative project <em><strong>Education from Below<\/strong><\/em>, designed in collaboration with The Rijksakademie van beeldende kunsten, Amsterdam and the MACBA museum, Barcelona.<\/p>\n<p>Support:<br \/>\nErste Foundation<br \/>\nFoundation for Arts Initiatives<br \/>\nCreative Europe programme of the European Union<br \/>\nCity of Zagreb<br \/>\nMinistry of Culture of the Republic of Croatia<br \/>\nTrust for Mutual Understanding<br \/>\nKultura Nova Foundation&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In lecture performance&nbsp;Borderlines,&nbsp;Manuel Pelmu\u015f&nbsp;revisits past performances and personal histories and aggregates notions of visibility and invisibility in connection to history and politics of representation. These histories playfully move back and forth in time and space, updating and reflecting on the notion of boundaries, may they be boundaries between states or boundaries between artistic disciplines. The [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":973,"menu_order":0,"template":"","meta":{"footnotes":""},"categories":[8,1],"tags":[59,234],"class_list":["post-972","dogadjanja","type-dogadjanja","status-publish","has-post-thumbnail","hentry","category-galerijanova","category-whwakademija","tag-education-from-below","tag-manuel-pelmus"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.14 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Manuel Pelmu\u015f: Borderlines<\/title>\n<meta name=\"description\" content=\"In lecture performance&nbsp;Borderlines,&nbsp;Manuel Pelmu\u015f&nbsp;revisits past performances and personal histories and aggregates notions of visibility and invisibility in connection to history and politics of representation. 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