{"id":4865,"date":"2025-05-28T17:31:42","date_gmt":"2025-05-28T15:31:42","guid":{"rendered":"https:\/\/www.whw.hr\/program\/\/"},"modified":"2025-10-15T20:56:25","modified_gmt":"2025-10-15T18:56:25","slug":"projekcija-i-razgovor-robin-vanbesien","status":"publish","type":"dogadjanja","link":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/projekcija-i-razgovor-robin-vanbesien\/","title":{"rendered":"Screening and conversation: Robin Vanbesien"},"content":{"rendered":"<p><strong>Robin Vanbesien<\/strong>\u2019s film <i>hold on to her<\/i> (2024) traces a lived social infrastructure of care, solidarity and struggle that addresses a recent case of police and state violence in the context of migration border control in Belgium.<\/p>\n<p>In 2018, two year-old Mawda Shawri, daughter of Phrast and Shamden and sister to Hama, was shot dead by a Belgian police officer during a car chase on a central highway. In 2023, over 40 people, both undocumented and documented resident activists, assembled before the camera at <i>La Voix des sans papiers<\/i> in Brussels to stage a collective hearing of documents from and reactions to Mawda\u2019s case. Together they produce the counter-forensic evidence of this deadly Channel crossing.<\/p>\n<p><strong>Robin Vanbesien<\/strong>&nbsp;is a Brussels-based artist, filmmaker, researcher, and educator. He explores how cinematic methods align with and contribute to situated struggles of place-making. How can cinema\u2014with or without a lens or a screen\u2014offer ways to acknowledge, reclaim, reassemble, rehearse, and redistribute the social collective body and the sensory imagination of such struggles? How do we create a cinema that arises from the reassembly and recreation&nbsp;with assemblers who speak and act in close proximity to these situated struggles of place-making? And how can we contribute to the ongoing redistribution of this kind of cinema?<\/p>\n<p>The conversation with Robin Vanbesien is a part of the discursive program <em>Remember Freedom: Poetry and Borders<\/em>.<\/p>\n<p><span style=\"font-weight: 400;\">The program is supported by:<\/span><br \/>\nOffice for Culture and Civil Society of the City of Zagreb<br \/>\nKultura Nova Foundation<br \/>\nCroatian Audiovisual Centre (HAVC)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robin Vanbesien\u2019s film hold on to her (2024) traces a lived social infrastructure of care, solidarity and struggle that addresses a recent case of police and state violence in the context of migration border control in Belgium. In 2018, two year-old Mawda Shawri, daughter of Phrast and Shamden and sister to Hama, was shot dead [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4869,"menu_order":0,"template":"","meta":{"footnotes":""},"categories":[17],"tags":[944,48,945,939],"class_list":["post-4865","dogadjanja","type-dogadjanja","status-publish","has-post-thumbnail","hentry","category-ostalo","tag-filmski-program","tag-projekcija","tag-robin-vanbesien","tag-sjeti-se-slobode"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.14 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Screening and conversation: Robin Vanbesien<\/title>\n<meta name=\"description\" content=\"Robin Vanbesien\u2019s film hold on to her (2024) traces a lived social infrastructure of care, solidarity and struggle that addresses a recent case of police and state violence in the context of migration border control in Belgium. In 2018, two year-old Mawda Shawri, daughter of Phrast and Shamden and sister to Hama, was shot dead&hellip;\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/projekcija-i-razgovor-robin-vanbesien\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Screening and conversation: Robin Vanbesien\" \/>\n<meta property=\"og:description\" content=\"Robin Vanbesien\u2019s film hold on to her (2024) traces a lived social infrastructure of care, solidarity and struggle that addresses a recent case of police and state violence in the context of migration border control in Belgium. 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