{"id":4455,"date":"2024-09-02T19:18:12","date_gmt":"2024-09-02T17:18:12","guid":{"rendered":"https:\/\/www.whw.hr\/program\/\/"},"modified":"2024-11-27T11:55:56","modified_gmt":"2024-11-27T10:55:56","slug":"lala-rascic-pocimalja","status":"publish","type":"dogadjanja","link":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/lala-rascic-pocimalja\/","title":{"rendered":"Lala Ra\u0161\u010di\u0107, PO\u010cIMALJA - SHE WHO STARTS THE SONG"},"content":{"rendered":"

The work of Lala Ra\u0161\u010di\u0107<\/strong> represents one of the most intriguing bodies of work from domestic and internationally recognized mid-career artists. The solo exhibition PO\u010cIMALJA<\/em> \u2013 SHE WHO STARTS THE SONG<\/em> at the National Museum of BiH in Sarajevo is an expanded version of her 2022 exhibition Smijeh Meduze<\/em><\/a> (The Laughter of Medusa<\/em>), produced by WHW and presented at Gallery Nova in Zagreb. Along with internationally exhibited works from the GORGO<\/em> series, Sarajevo\u2019s audience will have the opportunity to experience newly reproduced elements from the PO\u010cIMALJA<\/em> \u2013 SHE WHO STARTS THE SONG<\/em> project in a performative, audiovisual installation format, accompanied by a rich public program including a unique event of collective \u201ctepsijanje\u201d (a traditional Balkan practice of singing while rhythmically turning a copper tray): Summit of Tepsija Women<\/em>. In the ambiance of the National Museum, blending ancient myth with local folklore, Ra\u0161\u010di\u0107 builds a visually poetic and semantically rich narrative of liberation and resistance\u2014an exoneration from tradition.<\/p>\n

The Sarajevo exhibition spans over two exhibition spaces within the National Museum<\/a>. The PO\u010cIMALJA \u2013 SHE WHO STARTS THE SONG<\/em> project (2022\u2013) is displayed in the Ethnological Collection pavilion, while the GORGO<\/em> series, focused on the ancient myth of Medusa, the decapitated ancient chthonic goddess with snakes for hair, is exhibited in the Natural Sciences pavilion in the room colloquially known as Zmijarnik<\/em> (the Serpentarium<\/em>). The centerpiece of GORGO<\/em> is a video performance in which the artist dons a copper armor crafted by a female coppersmith. The concept centers on the premise of reuniting Medusa with her severed head. Drawing on mythological references, Ra\u0161\u010di\u0107 critiques the normalized violence in ancient myths. Alongside the video, artifacts and documentation re-mythologizing Medusa’s figure in her new empowered, vengeful form are exhibited.<\/p>\n

The tactile interaction of copper and the body extends into the PO\u010cIMALJA \u2013 SHE WHO STARTS THE SONG<\/em> project, which is based on the artist\u2019s research into regional folk women\u2019s musical practices\u2014specifically tepsijanje<\/em>, a practice of singing while manually rotating a copper tray, still performed mainly by women today. Originating from highly patriarchal environments, tepsijanje<\/em> enabled women to publicly perform music. From folklore, Ra\u0161\u010di\u0107 borrows the term po\u010dimalja<\/em>, referring to the woman who starts a song, with others joining in harmony. Through carefully crafted objects, images, collages, drawings, sound, and video elements, the exhibition setup creates a complex immersive installation, transforming the layered historical space of the National Museum of BiH into a kind of laboratory\/Wunderkabinett. PO\u010cIMALJA \u2013 SHE WHO STARTS THE SONG<\/em> is an innovative example of interpreting tradition through contemporary artistic language and methods. Ra\u0161\u010di\u0107 interprets tepsijanje<\/em> as an authentic expression of repressed female subjectivity and a proto-feminist gesture. Her ongoing artistic research, which she calls “Exoneration of Tradition,” examines traditional forms and critically engages with folklore and folklorization as means of re-patriarchalization and neo-traditionalization of society, considering the evolution of traditional forms by liberating them from their normative cultural contexts.<\/p>\n

While in folklore choreography, tepsijanje<\/em> persists largely for its visual appeal and simplicity of performance, in PO\u010cIMALJA<\/em> \u2013 SHE WHO STARTS THE SONG the artist focuses on the acoustic specifics of the practice, as well as the findings, previous research, and fieldwork of ethnomusicologists and folklorists, particularly the work of Austrian ethnomusicologist Franz F\u00f6dermayr. Lala Ra\u0161\u010di\u0107 personally engages with the practice of tepsijanje<\/em> in collaboration with Azra Pondro, a local tepsija performer, expanding her field of research in dialogue with musician Damir Imamovi\u0107, ethnomusicologists Professor Iva Neni\u0107, Professor Tamara Kara\u010da, Professor Marko K\u00f6lbl, sound technician Hrvoje Nik\u0161i\u0107, programmer Branimir \u0160tivi\u0107, and copper craftsman Nermina Beba Ali\u0107, among others. This type of transgenerational and transmedial connection between different actors within the artistic project positions Lala Ra\u0161\u010di\u0107 herself as a po\u010dimalja<\/em>\u2014the one who initiates the process of collaboration and joint work, which further evolves into a polyphony of voices from different participants. The exhibition’s activation is further achieved through a series of public events, including exhibition tours, a mini-conference, and a unique live performance.<\/p>\n

A comprehensive catalog of the PO\u010cIMALJA \u2013 SHE WHO STARTS THE SONG<\/em> project, summarizing the project and providing the first translations of rare texts on tepsijanje<\/em> from German to local languages, is being prepared by the Museum of Contemporary Art, Zagreb.<\/p>\n

PROGRAM SUPPORTERS:<\/strong>
\nZagreb City Office for Culture and Civil Society
\nMinistry of Culture and Media of the Republic of Croatia  Austrian Ministry of Culture
\nAustrian Cultural Forum, Sarajevo
\nAssociation for Culture and Art Crvena, Sarajevo
\nKUD Ba\u0161\u010dar\u0161ija, Sarajevo<\/p>\n

PROGRAM:<\/strong><\/p>\n

SATURDAY, October 12, 2024<\/strong><\/p>\n

12 PM: SUMMIT OF TEPSIJA WOMEN<\/em><\/strong>
\nPerformance, 30 minutes<\/p>\n

A unique musical and stage performance of collective tepsijanje<\/em> with tepsija<\/em> performers from Sarajevo and its surroundings. Everyone interested in making noise with us is invited to bring their copper trays.<\/p>\n

Performers: Azra Pondro, Lala Ra\u0161\u010di\u0107, Zerina Sadikovi\u0107, Neira Kaba\u0161, Lamija Kaba\u0161<\/p>\n

Director: Lala Ra\u0161\u010di\u0107
\nCoordinator: Azra Pondro
\nSound Design: Hrvoje Nik\u0161i\u0107
\nSupported by KUD Ba\u0161\u010dar\u0161ija, Sarajevo<\/p>\n

BREAK<\/p>\n

1 PM: MINI-CONFERENCE<\/strong><\/p>\n

An informal roundtable discussion at a small table, with refreshing conversations on the themes of folklore, gender, and decolonization of knowledge in the context of the PO\u010cIMALJA<\/em> \u2013 SHE WHO STARTS THE SONG<\/em> exhibition.<\/p>\n

Speakers:
\nDamir Imamovi\u0107 – Sarajevo University, Academy of Music, Sarajevo
\nProfessor Marko K\u00f6lbl – University of Music and Performing Arts, Vienna
\nProfessor Iva Neni\u0107 – Faculty of Music, Belgrade
\nIntroduction by Zanin Berbi\u0107 \u2013 National Museum of Bosnia and Herzegovina<\/p>\n

SATURDAY, October 26, 2024<\/strong><\/p>\n

This program is organized in collaboration with the Musicological Society of the Federation of BiH, as part of the 14th International Symposium Music in Society<\/em>.<\/p>\n

12 PM: GUIDED TOUR OF THE EXHIBITION<\/strong>
\nA tour of the exhibition led by the artist Lala Ra\u0161\u010di\u0107 and a guest.<\/p>\n

BREAK<\/p>\n

1 PM: CONVERSATION WITH THE ARTIST<\/strong>
\nDamir Imamovi\u0107 discusses the exhibition, process, and methods of Lala Ra\u0161\u010di\u0107’s broader artistic practice with the artist, with an introductory word from the “godmother” of the PO\u010cIMALJA<\/em> \u2013 SHE WHO STARTS THE SONG<\/em> project, Professor Tamara Kara\u010da from Sarajevo University\u2019s Academy of Music.<\/p>\n

 <\/p>\n

Lala Ra\u0161\u010di\u0107<\/strong> is a multimedia artist born in 1977 in Sarajevo, living and working in Zagreb and Sarajevo. Ra\u0161\u010di\u0107 studied at the Academy of Fine Arts in Zagreb and attended the postgraduate program at Rijksakademie in Amsterdam. She has been exhibiting regionally and internationally since 1998 in numerous solo and group exhibitions. Her work employs various patterns of material and immaterial culture in constructing narratives that manifest in video performances, live performances, audio-visual projects, installations, objects, and drawings. Her interests are focused on contemporary and historical storytelling practices and oral traditions. Her works inhabit the space between concept and theatricality, incorporating performances and programs during exhibitions.<\/p>\n

Solo exhibitions include The Laughter of the Medusa<\/em>, Galerija Nova, Zagreb (2022); The More Tongues You Silence the More They Talk<\/em>, Roda Sten, Gothenburg (2021); GORGO<\/em>, Acadiana Center for the Arts, Lafayette, USA (2019); Eumenides<\/em>, Museo Lapidarium, Novigrad and Galerija Waldinger, Osijek (2018); Evil Earth<\/em>, Toba\u010dna 001 Cultural Center, Ljubljana (2015); How to do Things With Words<\/em>, \u0160KUC, Ljubljana (2014), and Whatever the Object<\/em>, GfZK, Leipzig (2013).<\/p>\n

Group exhibitions include Manifesta 14<\/em>, Pristina (2022); Bigger Than Myself<\/em>, MAXXI, Rome (2021), Not Fully Human Not Human at All<\/em>, Kadist, Paris (2021); Exhibit A<\/em>, MGML, Ljubljana (2019); Without Anesthesia<\/em>, 54th Zagreb Salon (2019). Among other programs, Ra\u0161\u010di\u0107 has participated in residency programs at Q21, Vienna; Platform Garanti, Istanbul; KulturKontakt, Vienna; and Cit\u00e9 des Arts, Paris. She was a finalist for the Henkel Art Award (2014) and the Young Visual Artist Award Radoslav Putar (2006), and has received the Future of Europe Award, Leipzig (2013), the first purchase prize from T-HT and MSU, Zagreb (2007), and the Young Visual Artist Award Zvono for Bosnia and Herzegovina (2006).<\/p>\n

She is a member of the Croatian Association of Artists (HDLU) and the Croatian Freelance Artists\u2019 Association (HZSU). From 2009 to 2017, she was a member of the Good Children Gallery collective in New Orleans, and as a member of the organization CRVENA, she runs and manages the artist-in-residence program in her own studio in Sarajevo.<\/p>\n

www.lalarascic.com<\/b><\/a> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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