{"id":2249,"date":"2022-11-13T22:04:39","date_gmt":"2022-11-13T21:04:39","guid":{"rendered":"https:\/\/www.whw.hr\/dogadjanja\/\/"},"modified":"2022-12-20T07:52:43","modified_gmt":"2022-12-20T06:52:43","slug":"david-maljkovic-retrospektiva-po-dogovoru","status":"publish","type":"dogadjanja","link":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/","title":{"rendered":"David Maljkovi\u0107, A Retrospective by Appointment"},"content":{"rendered":"

A Retrospective by Appointment<\/em> traces common narratives and methods that occur in the media, formats and visual languages in David Maljkovi\u0107<\/strong>‘s work. Rather than present a chronological sequence, it brings together a range of works, as well as elements of installations from different stages of Maljkovi\u0107<\/strong>\u2019s career. Although it deconstructs the genre of a “mid-career” retrospective and fractures the artist’s oeuvre over several different venues, A Retrospective by Appointment<\/em> looks into the methods, approaches and obsessions that are shared across the works, providing a composite overview of artist\u2019s practice.<\/p>\n

The intricate exhibition display developed by Maljkovi\u0107<\/strong> takes a nonhierarchical approach to all the works and objects, putting them side by side on seemingly inadequate, unlikely structures, an approach that aims to alter the viewers\u2019 perspectives with its cumulative effect.<\/p>\n

An oversized pedestal that redefines the space of the Gallery Nova<\/strong> functions as an autonomous zone constructed to reshuffle the protocols of viewing his works. Selection spans over almost 20 years; from the early paintings, such as Portrait of the father<\/em> (1998) to the series New Reproduction<\/em> (2015), recently shown at the Venice Biennial. Many of the works, such as Independent form<\/em> (1997\/98) or Afterform<\/em> (2013), demonstrate the artist\u2019s continuous concern for the potentialities a form can take in a particular display. Similar to the process of editing, the selection cuts through different periods to join together a number of seminal works such as Temporary Projection<\/em> (2011) or Display for Lost Pavilion<\/em> (2009\/2011), with lesser-known  works, sketches and ephemera, such as the silver ball used as a prop in his iconic video Scenes for a New Heritage II<\/em> (2006). The installation A Space Happened<\/em> (2000) indicates a new direction for Maljkovi\u0107<\/strong>, when his “situational” explorations in painting started to make the transition to actual spaces, thus expanding from exhibition spaces into wider explorations of history, time and duration.<\/p>\n

In a search of an autonomy that can be engaged and socially sensitive, the exhibition makes an alliance with several smaller independent organizations, adding to their visibility. This is the first retrospective by Maljkovi\u0107<\/strong> in Croatia and the fact that it will be shown across three rather modest, non-institutional spaces is both a comment on and a symptom of the institutional framework in Zagreb. But what might seem as a constraint of space becomes an avenue for taking an open, humorous approach to the retrospective format itself. The limited visibility of the venues and the metaphor of the title, infuse the act of spectatorship with less formal and more intimate arrangements.  <\/p>\n

David Maljkovi\u0107, born in Rijeka, Croatia in 1973, lives and works in Zagreb. His recent solo exhibitions include: Palais de Tokyo, Paris (2014), Kunstmuseum St. Gallen, St. Gallen (2014), Baltic Art Centre for Contemporary Art, Gateshead (2013), Van Abbemuseum, Eindhoven (2012), Wiener Secession, Vienna (2011), Museo Reina Sofia, Madrid (2009). Maljkovi\u0107 has participated in group shows such as: Biennale di Venezia, Venice (2015), Mus\u00e9e National d\u2019Art Moderne Centre Pompidou, Paris (2014), Palais de Tokyo, Paris (2012), MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, Leon (2012), 29th Sao Paulo Art Biennial, Sao Paulo (2010), and 11th Istanbul Biennial, Istanbul (2009).<\/p>\n

Curated by What, How & for Whom\/WHW<\/strong><\/p>\n

Supported by:
\nCreative Europe Programme of the European Commission
\nCroatian Audiovisual Centre
\nGovernment Office for Cooperation with NGOs
\nKultura Nova Foundation
\nMinistry of Culture of the Republic of Croatia
\nNational Foundation for the Development of Civil Society
\nOffice of Culture, Education and Sport of the City of Zagreb<\/p>\n

The exhibition is a part of the collaborative project This Is Tomorrow. Back to Basics: Forms and Actions in the Future<\/em> of What, How & for Whom\/WHW, Zagreb, Tensta Konsthall, Stockholm i Latvian Center for Contemporary Art \/LCCA, Riga.<\/p>\n","protected":false},"excerpt":{"rendered":"

A Retrospective by Appointment\u00a0traces common narratives and methods that occur in the media, formats and visual languages in\u00a0David Maljkovi\u0107’s work. Rather than present a chronological sequence, it brings together a range of works, as well as elements of installations from different stages of\u00a0Maljkovi\u0107\u2019s career.<\/p>\n","protected":false},"author":2,"featured_media":1489,"menu_order":0,"template":"","meta":{"footnotes":""},"categories":[8,17],"tags":[230,667,634,668],"class_list":["post-2249","dogadjanja","type-dogadjanja","status-publish","has-post-thumbnail","hentry","category-galerijanova","category-ostalo","tag-david-maljkovic","tag-ovo-je-sutra","tag-studio-davida-maljkovica","tag-this-is-tomorrow"],"acf":[],"yoast_head":"\nDavid Maljkovi\u0107, A Retrospective by Appointment<\/title>\n<meta name=\"description\" content=\"A Retrospective by Appointment\u00a0traces common narratives and methods that occur in the media, formats and visual languages in\u00a0David Maljkovi\u0107's work. Rather than present a chronological sequence, it brings together a range of works, as well as elements of installations from different stages of\u00a0Maljkovi\u0107\u2019s career.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"David Maljkovi\u0107, A Retrospective by Appointment\" \/>\n<meta property=\"og:description\" content=\"A Retrospective by Appointment\u00a0traces common narratives and methods that occur in the media, formats and visual languages in\u00a0David Maljkovi\u0107's work. Rather than present a chronological sequence, it brings together a range of works, as well as elements of installations from different stages of\u00a0Maljkovi\u0107\u2019s career.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/\" \/>\n<meta property=\"og:site_name\" content=\"whw\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/galerijanova\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-20T06:52:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.whw.hr\/wp-content\/uploads\/2022\/09\/David-Maljkovic-Retrospektiva-po-dogovoru.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/\",\"url\":\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/\",\"name\":\"David Maljkovi\u0107, Retrospektiva po dogovoru – whw\",\"isPartOf\":{\"@id\":\"https:\/\/www.whw.hr\/#website\"},\"datePublished\":\"2022-11-13T21:04:39+00:00\",\"dateModified\":\"2022-12-20T06:52:43+00:00\",\"description\":\"Retrospektiva po dogovoru\u00a0slijedi narative i metode koje se u radu\u00a0Davida Maljkovi\u0107a\u00a0pojavljuju u razli\u010ditim medijima, formatima i vizualnim jezicima. Umjesto predstavljanja kronolo\u0161kog niza, izlo\u017eba okuplja \u0161irok spektar radova kao i elemente instalacija iz razli\u010ditih etapa Maljkovi\u0107eve karijere.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Po\u010detna stranica\",\"item\":\"https:\/\/www.whw.hr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"David Maljkovi\u0107, Retrospektiva po dogovoru\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.whw.hr\/#website\",\"url\":\"https:\/\/www.whw.hr\/\",\"name\":\"whw \/ what, how & for whom\",\"description\":\"what, how & for whom\",\"publisher\":{\"@id\":\"https:\/\/www.whw.hr\/#organization\"},\"alternateName\":\"whw\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.whw.hr\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.whw.hr\/#organization\",\"name\":\"whw \/ what, how & for whom\",\"alternateName\":\"whw\",\"url\":\"https:\/\/www.whw.hr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.whw.hr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.whw.hr\/wp-content\/uploads\/2022\/12\/jmm-68-1-2.jpg\",\"contentUrl\":\"https:\/\/www.whw.hr\/wp-content\/uploads\/2022\/12\/jmm-68-1-2.jpg\",\"width\":2000,\"height\":1333,\"caption\":\"whw \/ what, how & for whom\"},\"image\":{\"@id\":\"https:\/\/www.whw.hr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.instagram.com\/whw_what.how.for.whom\/\",\"https:\/\/www.youtube.com\/channel\/UCYplGnLkNqPXZSBaJgv4mZw\",\"https:\/\/www.facebook.com\/galerijanova\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"David Maljkovi\u0107, A Retrospective by Appointment","description":"A Retrospective by Appointment\u00a0traces common narratives and methods that occur in the media, formats and visual languages in\u00a0David Maljkovi\u0107's work. Rather than present a chronological sequence, it brings together a range of works, as well as elements of installations from different stages of\u00a0Maljkovi\u0107\u2019s career.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/","og_locale":"en_US","og_type":"article","og_title":"David Maljkovi\u0107, A Retrospective by Appointment","og_description":"A Retrospective by Appointment\u00a0traces common narratives and methods that occur in the media, formats and visual languages in\u00a0David Maljkovi\u0107's work. Rather than present a chronological sequence, it brings together a range of works, as well as elements of installations from different stages of\u00a0Maljkovi\u0107\u2019s career.","og_url":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/","og_site_name":"whw","article_publisher":"https:\/\/www.facebook.com\/galerijanova","article_modified_time":"2022-12-20T06:52:43+00:00","og_image":[{"width":1000,"height":667,"url":"https:\/\/www.whw.hr\/wp-content\/uploads\/2022\/09\/David-Maljkovic-Retrospektiva-po-dogovoru.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/","url":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/","name":"David Maljkovi\u0107, Retrospektiva po dogovoru – whw","isPartOf":{"@id":"https:\/\/www.whw.hr\/#website"},"datePublished":"2022-11-13T21:04:39+00:00","dateModified":"2022-12-20T06:52:43+00:00","description":"Retrospektiva po dogovoru\u00a0slijedi narative i metode koje se u radu\u00a0Davida Maljkovi\u0107a\u00a0pojavljuju u razli\u010ditim medijima, formatima i vizualnim jezicima. Umjesto predstavljanja kronolo\u0161kog niza, izlo\u017eba okuplja \u0161irok spektar radova kao i elemente instalacija iz razli\u010ditih etapa Maljkovi\u0107eve karijere.","breadcrumb":{"@id":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/david-maljkovic-retrospektiva-po-dogovoru\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Po\u010detna stranica","item":"https:\/\/www.whw.hr\/"},{"@type":"ListItem","position":2,"name":"David Maljkovi\u0107, Retrospektiva po dogovoru"}]},{"@type":"WebSite","@id":"https:\/\/www.whw.hr\/#website","url":"https:\/\/www.whw.hr\/","name":"whw \/ what, how & for whom","description":"what, how & for whom","publisher":{"@id":"https:\/\/www.whw.hr\/#organization"},"alternateName":"whw","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.whw.hr\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.whw.hr\/#organization","name":"whw \/ what, how & for whom","alternateName":"whw","url":"https:\/\/www.whw.hr\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.whw.hr\/#\/schema\/logo\/image\/","url":"https:\/\/www.whw.hr\/wp-content\/uploads\/2022\/12\/jmm-68-1-2.jpg","contentUrl":"https:\/\/www.whw.hr\/wp-content\/uploads\/2022\/12\/jmm-68-1-2.jpg","width":2000,"height":1333,"caption":"whw \/ what, how & for whom"},"image":{"@id":"https:\/\/www.whw.hr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.instagram.com\/whw_what.how.for.whom\/","https:\/\/www.youtube.com\/channel\/UCYplGnLkNqPXZSBaJgv4mZw","https:\/\/www.facebook.com\/galerijanova"]}]}},"_links":{"self":[{"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/dogadjanja\/2249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/dogadjanja"}],"about":[{"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/types\/dogadjanja"}],"author":[{"embeddable":true,"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":3,"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/dogadjanja\/2249\/revisions"}],"predecessor-version":[{"id":2253,"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/dogadjanja\/2249\/revisions\/2253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/media\/1489"}],"wp:attachment":[{"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/media?parent=2249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/categories?post=2249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.whw.hr\/wp-json\/wp\/v2\/tags?post=2249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}