{"id":1365,"date":"2022-09-25T20:00:37","date_gmt":"2022-09-25T18:00:37","guid":{"rendered":"http:\/\/www.whw.hr\/hr\/dogadjanja\/\/"},"modified":"2022-09-25T20:00:37","modified_gmt":"2022-09-25T18:00:37","slug":"ill-open-the-door-straight-dead-straight-into-the-fire","status":"publish","type":"dogadjanja","link":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/ill-open-the-door-straight-dead-straight-into-the-fire\/","title":{"rendered":"I\u2019ll open the door straight, dead straight into the fire"},"content":{"rendered":"<p><strong>Marwa Arsanios \u2022 Lela \u010cermak \u2022 Dora Economou \u2022 Vlatka Horvat \u2022 Yota Ioannidou \u2022 Sanja Ivekovi\u0107 \u2022 Adela Ju\u0161i\u0107 \u2022 G\u00fcls\u00fcn Karamustafa \u2022 Rajkamal Kahlon \u2022 Theo Prodromidis \u2022 Marta Popivoda and Ana Vujanovi\u0107 \u2022 Mujeres P\u00fablicas \u2022 \u017delimir \u017dilnik<\/strong> \u2022<\/p>\n<p>Titled after a verse from the poem&nbsp;<em>May 25<sup>th<\/sup>&nbsp;<\/em>(1978) by poet, actress and anarchist&nbsp;<strong>Katerina Gogou<\/strong>&nbsp;(1940\u20131993), the exhibition&nbsp;<strong><em>I\u2019ll open the door straight, dead straight into the fire<\/em>&nbsp;<\/strong>starts from the role women partisans played throughout the intertwined histories of Yugoslav and Greek antifascist struggles, as well as the post-war constellation of the Cold War. The exhibition looks at common histories and experiences of victories and defeats, reencountering various temporalities of revolutionary female engagement and relating them to wider liberation and anticolonial struggles and contemporary feminist demands for a total social alternative.<\/p>\n<p>The exhibition was created in a dialogue with&nbsp;<strong>iLiana Fokianaki<\/strong>&nbsp;and in collaboration with the&nbsp;<a href=\"https:\/\/stateofconcept.org\/\" target=\"_blank\" rel=\"noopener\"><strong><em>State of Concept Athens<\/em><\/strong><\/a>. In order to reflect further on the legacies of anti-fascist and other forms of emancipatory resistance, the Zagreb version of the exhibition has been expanded to include several local artistic and activist positions who have been engaged in researching those topics.<\/p>\n<p>The exhibition inserts itself into the complex social landscape of Yugoslav-Greek relations, which are situated in similar, yet historically differentiated political positions at the European semi-periphery, and whose histories of antifascist resistance<span class=\"st\">\u2014led<\/span>&nbsp;and inspired by communist ideas\u2014went in abrupt directions.<\/p>\n<p>In both countries, the recent repatriarchization of society is one of the many side-effects of political crises relating to their vassal position within the European Union, resulting in abolishing workers\u2019 rights, pauperization, rising racism and fascism. The exhibition does not see the figure of the woman partisan as a heroic trope of salvation or a footnote of histories written once upon a time, but as a principle of praxis guiding the present.<br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marwa Arsanios \u2022 Lela \u010cermak \u2022 Dora Economou \u2022 Vlatka Horvat \u2022 Yota Ioannidou \u2022 Sanja Ivekovi\u0107 \u2022 Adela Ju\u0161i\u0107 \u2022 G\u00fcls\u00fcn Karamustafa \u2022 Rajkamal Kahlon \u2022 Theo Prodromidis \u2022 Marta Popivoda and Ana Vujanovi\u0107 \u2022 Mujeres P\u00fablicas \u2022 \u017delimir \u017dilnik \u2022 Titled after a verse from the poem&nbsp;May 25th&nbsp;(1978) by poet, actress and anarchist&nbsp;Katerina [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1366,"menu_order":0,"template":"","meta":{"footnotes":""},"categories":[17],"tags":[209,434,206,211,204,433,130,213,210,208,192,70,207,215],"class_list":["post-1365","dogadjanja","type-dogadjanja","status-publish","has-post-thumbnail","hentry","category-ostalo","tag-adela-jusic","tag-ana-vujanovic","tag-dora-economou","tag-gulsun-karamustafa","tag-lela-cermak","tag-marta-popivoda","tag-marwa-arsanios","tag-mujeres-publicas","tag-rajkamal-kahlon","tag-sanja-ivekovic","tag-theo-prodromidis","tag-vlatka-horvat","tag-yota-ioannidou","tag-zelimir-zilnik"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.14 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>I\u2019ll open the door straight, dead straight into the fire<\/title>\n<meta name=\"description\" content=\"Marwa Arsanios \u2022 Lela \u010cermak \u2022 Dora Economou \u2022 Vlatka Horvat \u2022 Yota Ioannidou \u2022 Sanja Ivekovi\u0107 \u2022 Adela Ju\u0161i\u0107 \u2022 G\u00fcls\u00fcn Karamustafa \u2022 Rajkamal Kahlon \u2022 Theo Prodromidis \u2022 Marta Popivoda and Ana Vujanovi\u0107 \u2022 Mujeres P\u00fablicas \u2022 \u017delimir \u017dilnik \u2022 Titled after a verse from the poem&nbsp;May 25th&nbsp;(1978) by poet, actress and anarchist&nbsp;Katerina&hellip;\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/ill-open-the-door-straight-dead-straight-into-the-fire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I\u2019ll open the door straight, dead straight into the fire\" \/>\n<meta property=\"og:description\" content=\"Marwa Arsanios \u2022 Lela \u010cermak \u2022 Dora Economou \u2022 Vlatka Horvat \u2022 Yota Ioannidou \u2022 Sanja Ivekovi\u0107 \u2022 Adela Ju\u0161i\u0107 \u2022 G\u00fcls\u00fcn Karamustafa \u2022 Rajkamal Kahlon \u2022 Theo Prodromidis \u2022 Marta Popivoda and Ana Vujanovi\u0107 \u2022 Mujeres P\u00fablicas \u2022 \u017delimir \u017dilnik \u2022 Titled after a verse from the poem&nbsp;May 25th&nbsp;(1978) by poet, actress and anarchist&nbsp;Katerina&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/ill-open-the-door-straight-dead-straight-into-the-fire\/\" \/>\n<meta property=\"og:site_name\" content=\"whw\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/galerijanova\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.whw.hr\/wp-content\/uploads\/2022\/09\/DSC0307-1024x683-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/ill-open-the-door-straight-dead-straight-into-the-fire\/\",\"url\":\"https:\/\/www.whw.hr\/%dogadjanja-slug%\/ill-open-the-door-straight-dead-straight-into-the-fire\/\",\"name\":\"I\u2019ll open the door straight, dead straight into the fire &ndash; 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