{"id":1356,"date":"2022-09-25T18:58:07","date_gmt":"2022-09-25T16:58:07","guid":{"rendered":"http:\/\/www.whw.hr\/hr\/dogadjanja\/\/"},"modified":"2023-02-27T21:11:31","modified_gmt":"2023-02-27T20:11:31","slug":"o-kruhu-vinu-autima-sigurnosti-i-miru","status":"publish","type":"dogadjanja","link":"https:\/\/www.whw.hr\/%dogadjanja-slug%\/o-kruhu-vinu-autima-sigurnosti-i-miru\/","title":{"rendered":"\u2026of bread, wine, cars security and peace"},"content":{"rendered":"<p><strong>Marwa Arsanios \u2022 Zach Blas \u2022 Sonia Boyce \u2022 Banu Cenneto\u011flu \u2022 Alejandro Cesarco \u2022 Saddie Choua \u2022 Phil Collins \u2022 Alice Creischer \u2022 Adji Dieye \u2022 Ines Doujak \u2022 Melanie Ebenhoch \u2022 Tim Etchells \u2022 Kevin Jerome Everson \u2022 Forensic Architecture \u2022 Giorgi Gago Gagoshidze, Hito Steyerl &amp; Milo\u0161 Trakilovi\u0107 \u2022 Monika Grabuschnigg \u2022 Vlatka Horvat \u2022 Anne Marie Jehle \u2022 G\u00fcls\u00fcn Karamustafa \u2022 Jessika Khazrik for the Society of False Witnesses \u2022 Victoria Lomasko \u2022 Hana Mileti\u0107 &amp; Globe Aroma \u2022 Marina Naprushkina \u2022 Tuan Andrew Nguyen \u2022 Wendelien van Oldenborgh \u2022 Sylvia Palacios Whitman \u2022 Dan Perjovschi \u2022 Pirate Care \u2022 HC Playner \u2022 Oliver Ressler \u2022 School of Contradiction \u2022 Selma Selman \u2022 Andreas Siekmann \u2022 Daniel Spoerri \u2022 Mladen Stilinovi\u0107 \u2022 Marlene Streeruwitz \u2022 Milica Tomi\u0107 \u2022 &#8230;<\/p>\n<p><\/strong><strong>WHW<\/strong>&nbsp;opens their first exhibition in&nbsp;<a href=\"http:\/\/www.kunsthallewien.at\/#\/en\" target=\"_blank\" rel=\"noopener\"><strong>Kunsthalle Wien<\/strong><\/a>, with a program starting at&nbsp;<strong>5 pm at Kunsthalle Wien Museumsquartier<\/strong>:&nbsp;<strong>Tim Etchells, Hor 29. Novembar, Marlene Streeruwitz and Wiener Grippe \/ KW77 (Lydia Haider \u2022 Mercedes Kornberger \u2022 Maria Muhar \u2022 Stefanie Sargnagel).&nbsp;<\/strong>More information&nbsp;<a href=\"http:\/\/www.kunsthallewien.at\/#\/en\/events\/bread-wine-cars-security-and-peace\" target=\"_blank\" rel=\"noopener\"><strong>here<\/strong><\/a>.<\/p>\n<p>The title of the exhibition quotes&nbsp;<strong>Bilal Khbeiz<\/strong>, a Lebanese author who mused over some of the things that made the difference between the dreams of people in the Global South and the West (Bilal Khbeiz,&nbsp;<em>Globalization and the Manufacture of Transient Events<\/em>, Beirut: Ashkal Alwan, 2003). For Khbeiz, the very list \u2013 bread, wine, cars, security and peace \u2013 defined an idea of \u201cthe good life\u201d that was unattainable for much of the world. Almost two decades later, it seems that these basics begin to escape more and more people living in places where they were once taken for granted: climate change puts the continuation of life on earth under question; ecological destruction gathers pace; faith in the benevolence of capitalism was broken by the 2008 crash, and its horizon of slow global improvement and trickle-down benefits is steadily evaporating. Today, one might conclude that each element in the title has turned sour and the idea of a \u201cgood life\u201d is a fantasy persisting as \u201ccruel attachment\u201d to a world that is no more.&nbsp; (Laurent Berlant,&nbsp;<em>Cruel Optimism<\/em>, Durham, N.C.: Duke University Press, 2011).<\/p>\n<p>Nevertheless, this exhibition is not a counsel of despair or a dark critique of all that is wrong with the world. Instead, the artists and artworks on show seek to rethink \u201cthe good life\u201d, both as a collective and individual experience. The exhibition posits artistic subjectivity as a place where one can imagine abandoning the fatal dialectic of modern capitalism \u2013 and think beyond it. There are already many moral, ecological, and scientific arguments for organizing our economies more fairly and they are becoming increasingly realizable. Degrowth, as one example, is not only a principled stand for an ecologically sustainable world economy governed by human needs. It also looks for tangible ways to celebrate the richness of the planet and all of its life forms.<\/p>\n<p>The exhibition had an early start. In cooperation with&nbsp;<a href=\"https:\/\/www.burgtheater.at\/en\/\" target=\"_blank\" rel=\"noopener\"><strong>Burgtheater<\/strong><\/a>&nbsp;a series of events introduced some of the issues at stake in the show. A residency program for artists, in collaboration with&nbsp;<a href=\"https:\/\/www.dasweissehaus.at\/\" target=\"_blank\" rel=\"noopener\"><strong>das weisse haus<\/strong><\/a>, invites some of the artists to stay in Vienna during the exhibition and to engage with the educational department of Kunsthalle to discuss, mediate, and elaborate on their work. The exhibition includes an educational space which will host a series of artist talks and workshops, guided tours in different languages as well as special programs for kids and families.&nbsp;<em><strong>\u2026of bread, wine, cars security and peace<\/strong><\/em>&nbsp;takes place in all venues and inter-spaces of Kunsthalle Wien \u2013 opening the house metaphorically and literally, pushing the threshold of the exhibition towards public space.<\/p>\n<p><em><strong>&#8230;of bread, wine, cars, security and peace<\/strong><\/em>&nbsp;opens on the 8th of March, International Women\u2019s Day, to emphasize its feminist perspective. Social and ecological reproduction, and a serious reckoning with the ways in which the work of serving others has been shaped by gender and race are at the heart of its vision of the future. It celebrates sustaining and improving human life, as well as the lives of other species who share our world. It proposes a daily life that is less arduous and more pleasurable, with an abundance of communal luxury and collective leisure, where the \u201cgood life\u201d is ecologically supportive and oriented toward the flourishing of all.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marwa Arsanios \u2022 Zach Blas \u2022 Sonia Boyce \u2022 Banu Cenneto\u011flu \u2022 Alejandro Cesarco \u2022 Saddie Choua \u2022 Phil Collins \u2022 Alice Creischer \u2022 Adji Dieye \u2022 Ines Doujak \u2022 Melanie Ebenhoch \u2022 Tim Etchells \u2022 Kevin Jerome Everson \u2022 Forensic Architecture \u2022 Giorgi Gago Gagoshidze, Hito Steyerl &amp; Milo\u0161 Trakilovi\u0107 \u2022 Monika Grabuschnigg \u2022 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1357,"menu_order":0,"template":"","meta":{"footnotes":""},"categories":[17],"tags":[409,406,147,428,417,193,166,429,419,413,414,422,211,421,425,381,410,418,412,403,279,430,130,411,218,415,68,416,321,408,350,110,407,427,426,405,424,71,423,420,70,235,404],"class_list":["post-1356","dogadjanja","type-dogadjanja","status-publish","has-post-thumbnail","hentry","category-ostalo","tag-adji-dieye","tag-alejandro-cesarco","tag-alice-creischer","tag-andreas-siekmann","tag-anne-marie-jehle","tag-banu-cennetoglu","tag-dan-perjovschi","tag-daniel-spoerri","tag-drustvo-laznih-svjedoka","tag-forensic-architecture","tag-giorgi-gago-gagoshidze","tag-globe-aroma","tag-gulsun-karamustafa","tag-hana-miletic","tag-hc-playner","tag-hito-steyerl","tag-ines-doujak","tag-jessika-khazrik","tag-kevin-jerome-everson","tag-kunsthalle-wien","tag-marina-naprushkina","tag-marlene-streeruwitz","tag-marwa-arsanios","tag-melanie-ebenhoch","tag-milica-tomic","tag-milos-trakilovic","tag-mladen-stilinovic","tag-monika-grabuschnigg","tag-oliver-ressler","tag-phil-collins","tag-pirate-care","tag-piratska-skrb","tag-saddie-choua","tag-selma-selman","tag-skola-kontradikcije","tag-sonia-boyce","tag-sylvia-palacios-whitman","tag-tim-etchells","tag-tuan-andrew-nguyen","tag-victoria-lomasko","tag-vlatka-horvat","tag-wendelien-van-oldenborgh","tag-zach-blas"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.14 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u2026of bread, wine, cars security and peace<\/title>\n<meta name=\"description\" content=\"Marwa Arsanios \u2022 Zach Blas \u2022 Sonia Boyce \u2022 Banu Cenneto\u011flu \u2022 Alejandro Cesarco \u2022 Saddie Choua \u2022 Phil Collins \u2022 Alice Creischer \u2022 Adji Dieye \u2022 Ines Doujak \u2022 Melanie Ebenhoch \u2022 Tim Etchells \u2022 Kevin Jerome Everson \u2022 Forensic Architecture \u2022 Giorgi Gago Gagoshidze, Hito Steyerl &amp; 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